KAJIAN IRAMA SYAIR TAKHTIM DALAM KESENIAN HADRAH DI KOTA PONTIANAK KALIMANTAN BARAT

Derry Rulita Panjaitan, Aloysius Mering, Asfar Muniir

Abstract


Abstract

This research is based on the urge and the concern of the writer to understand the Takhtim verse of Hadrah art in Pontianak. One of the Hadrah group which actively perform and join in any competition is Hadrah Hubbul Wathan group. Hadrah Hubbul Wathan group is formed by H. Muhammad, a famous figure in Hadrah art. The main problem in this research are, how the Takhtim verse form in Hadrah art and the preservation efforts done by Hadrah artists are. The method used in this research was descriptive analysis method by qualitative approach. The type of approach chosen in this research was musicology approach. Research data contained Hadrah art, rhythm structure, dan Takhtim verse, and the presentation forms. Data validity test was done by extra observation and triangulation. Analysis techniques used was domain and taxonomic. Research results explain that Takhtim verse in Hadrah art consisting of the Opening part, eight songs with different verses, and closing part. Efforts made by Hadrah Hubbul Wathan also varies, for example by registering Hadrah Hubbul Wathan as a legal group and providing training for children and teenager as an effort for regeneration.

 

Keywords: Study, Verse, Rhytm, Hadrah


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DOI: http://dx.doi.org/10.26418/jppk.v7i7.26285

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Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK)  published by

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